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Blues Song Baby Please Don Go Im Gone

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Traditional blues standard

"Baby, Please Don't Go"
Baby, Please Don't Go Williams single cover.jpg
Single by Joe Williams' Washboard Dejection Singers
B-side "Wild Cow Blues"
Released 1935 (1935)
Recorded Chicago, Oct 31, 1935
Genre Blues
Length three:22
Label Bluebird
Songwriter(s) Traditional (J. Williams credited on tape)
Producer(south) Lester Melrose

"Infant, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Large Joe Williams in 1935. Many cover versions followed, leading to its description as "ane of the most played, bundled, and rearranged pieces in blues history" past French music historian Gérard Herzhaft.[one]

After World War Two, Chicago blues and rhythm and dejection artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the tiptop ten on the R&B chart. In 1953, Muddy Waters recorded the song equally an electric Chicago-ensemble blues slice, which influenced many subsequent renditions. By the early 1950s, the vocal became a blues standard.

In the 1960s, "Infant, Please Don't Get" became a pop rock song afterwards the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, maybe on rhythm guitar. Later on, Them'south uptempo rock organization as well made information technology a rock standard. Air-conditioning/DC and Aerosmith are among the rock groups who have recorded the song. "Baby, Please Don't Go" has been inducted into both the Blues and Rock and Scroll Halls of Fame.

Background [edit]

"Infant, Delight Don't Go" is likely an accommodation of "Long John", an sometime folk theme which dates back to the time of slavery in the United States.[1] Blues researcher Paul Garon notes that the melody is based on "Alabamy Bound", composed past Tin Pan Alley writer Ray Henderson, with lyrics by Buddy DeSylva and Bud Light-green in 1925.[2] [a] The song, a vaudeville show tune, inspired several other songs between 1925 and 1935, such as "Elder Greene Blues", "Alabama Bound", and "Don't You Leave Me Hither".[2] [three] These variants were recorded past Charlie Patton, Lead Belly, Monette Moore, Henry Thomas, and Tampa Red.[ii]

Writer Linda Dahl suggests a connectedness to a vocal with the same title by Mary Williams Johnson in the late 1920s and early 1930s.[4] However, Johnson, who was married to jazz-influenced blues guitarist Lonnie Johnson, never recorded it and her song is not discussed as influencing later performers.[1] [3] [5] Blues researcher Jim O'Neal notes that Williams "sometimes said that the song was written by his wife, singer Bessie Mae Smith (aka Blue Belle and St. Louis Bessie)."[iii]

Original song [edit]

Large Joe Williams used the imprisonment theme for his October 31, 1935, recording of "Baby, Delight Don't Go". He recorded it during his first session for Lester Melrose and Bluebird Records in Chicago.[3] It is an ensemble slice with Williams on vocal and guitar accompanied by Dad Tracy on one-string fiddle and Chasey "Kokomo" Collins on washboard, who are listed as "Joe Williams' Washboard Blues Singers" on the single.[iii] Musical notation for the song indicates a moderate-tempo fifteen-bar blues in iv
4 or common time in the key of B flat.[6] [b] As with many Delta blues songs of the era, it remains on the tonic chord (I) throughout without the progression to the subdominant (Iv) or dominant (Five) chords.[half-dozen] The lyrics express a prisoner's anxiety about his lover leaving before he returns home:[8]

At present infant please don't go, at present baby please don't go
Babe please don't go back to New Orleans, and go your common cold ice foam
I believe there's a man done gone, I believe in that location'due south a man washed gone
I believe there'southward a man washed gone to the county farm, with a long chain on

The vocal became a striking and established Williams' recording career.[9] On December 12, 1941, he recorded a 2nd version titled "Please Don't Go" in Chicago for Bluebird, with a more than modern arrangement and lyrics.[x] Blues historian Gerard Herzhaft calls it "the almost heady version",[ane] which Williams recorded using his trademark nine-string guitar. Accompanying him are Sonny Boy Williamson I on harmonica and Alfred Elkins on fake bass (possibly a washtub bass).[11] Since both songs appeared before recording manufacture publications began tracking such releases, it is unknown which version was more popular. In 1947, he recorded information technology for Columbia Records with Williamson and Ransom Knowling on bass and Approximate Riley on drums.[2] This version did not accomplish the Billboard Race Records chart,[12] but represents a movement toward a more urban blues treatment of the vocal.

Later on dejection and R&B recordings [edit]

Large Joe Williams' various recordings inspired other blues musicians to record their interpretations of the song[thirteen] and it became a blues standard.[ane] Early examples include Papa Charlie McCoy every bit "Tampa Kid" (1936), Leonard "Baby Doo" Caston (1939), Lightnin' Hopkins (1947), John Lee Hooker (1949), and Big Bill Broonzy (1952).[14] By the early 1950s, the song was reworked in contemporary musical styles, with an early rhythm and blues/jump dejection version past Billy Wright (1951),[one] a harmonized doo-wop version by the Orioles (a number eight R&B striking in 1952),[c] and an Afro-Cuban-influenced rendition by Rose Mitchell (1954).[1] Mose Allison recorded the tune in his jazz-blues pianoforte style for the album Transfiguration of Hiram Brown (1960).[15]

In 1953, Muddy Waters recast the song as a Chicago-dejection ensemble piece with Piddling Walter and Jimmy Rogers.[16] Chess Records originally issued the single with the title "Plough the Lamp Down Low", although the song is too referred to as "Turn Your Lamp Down Low",[iii] "Plough Your Low-cal Down Low",[14] or "Baby Please Don't Get".[d] He regularly played the song, several performances were recorded. Live versions appear on Muddied Waters at Newport 1960 and on Live at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones.[17] AllMusic critic Beak Janovitz cites the influence of Waters' adaptation:

The most likely link between the Williams recordings and all the rock covers that came in the 1960s and 1970s would be the Muddy Waters 1953 Chess side, which retains the same swinging phrasing as the Williams takes, but the session musicians beefiness it upward with a steady driving rhythm section, electrified instruments and Little Walter Jacobs wailing on blues harp.[18]

Van Morrison and Them rendition [edit]

"Infant, Delight Don't Go"
BabyPleaseDontGo-Them.jpg
Single by Them
B-side "Gloria"
Released
  • November six, 1964 (1964-xi-06) (UK)
  • 1965 (Usa)
Recorded Oct 1964
Genre Blues rock
Length two:xl
Label
  • Decca (United kingdom)
  • Parrot (United states)
Songwriter(due south) Traditional (Williams credited)
Producer(s) Bert Berns
Them singles chronology
"Don't Start Crying At present"
(1964) 		"Infant, Please Don't Become"
(1964) 		"Here Comes the Night"
(1965)

"Baby Please Don't Go" was i of the earliest songs recorded by Them, fronted by a 19-year-one-time Van Morrison. Their rendition of the vocal was derived from a version recorded past John Lee Hooker in 1949 equally "Don't Go Baby".[19] [due east] Hooker's song later appeared on a 1959 anthology, Highway of Blues, which Van Morrison heard and felt was "something really unique and dissimilar" with "more soul" than he had previously heard.[19]

Recording and composition [edit]

Them recorded "Infant, Please Don't Become" for Decca Records in Oct 1964. Besides Morrison, there is conflicting information nigh who participated in the session. In addition to the grouping's original members (guitarist Billy Harrison, bassist Alan Henderson, drummer Ronnie Millings, and keyboard player Eric Wrixon), others have been suggested: Pat McAuley on keyboards, Bobby Graham on a second drum kit, Jimmy Page on second guitar,[20] and Peter Bardens on keyboards.[21] Every bit Page biographer George Example notes, "There is a dispute over whether it is Page's piercing blues line that defines the song, if he only played a run Harrison had already devised, or if Page merely backed up Harrison himself".[22] Morrison has acknowledged Folio'south participation in the early sessions: "He played rhythm guitar on i thing and doubled a bass riff on the other"[23] and Morrison biographer Johnny Rogan notes that Page "doubled the distinctive riff already worked out by Billy Harrison".[23]

Janovitz identifies the riff equally "the backbone of the organization" and describes Henderson'southward contribution as an "amphetamine-blitz, pulsing two-note bass line."[xviii] [f] Music critic Greil Marcus comments that during the song's quieter centre passage "the guitarist, session thespian Jimmy Page or non, seems to exist feeling his mode into another vocal, flipping half-riffs, high, random, distracted metal shavings".[24] [g] Them's blues rock arrangement is "now regarded justly as definitive", according to music writer Alan Clayson.[26]

Releases and charts [edit]

Decca released "Babe, Please Don't Go" as Them's second single on November vi, 1964.[20] With the B-side, "Gloria", it became their beginning striking, reaching number x on the Britain Singles Chart in February 1965.[27] In the US, the single was released past Parrot Records.[28] On March 20, Billboard magazine first listed the song on its extended "Bubbling Under the Hot 100" chart,[29] where it eventually peaked at number 102 on April 24.[30] The single fared better on the West Coast, where both songs appeared on weekly Tiptop 40 playlists for Los Angeles radio station KRLA between March and June 1965, reaching number one for iii weeks in April.[31] [32] [33] Cash Box described information technology equally "a funky, difficult-driving pleader that the fellas stone out with telling issue".[34]

The song was not included on Them'south original British or American albums (The Angry Young Them and Them Once again), however, information technology has appeared on several compilation albums, such as The Story of Them Featuring Van Morrison and The Best of Van Morrison.[35] When it was reissued in 1991 equally a unmarried in the U.k., it reached number 65 in the chart.[27] Van Morrison also accompanied John Lee Hooker during a 1992 functioning, where Hooker sings and plays "Baby, Please Don't Get" on guitar while sitting on a dock, with harmonica backing by Morrison; it was released on the 2004 Come up Come across About Me Hooker DVD.[36]

Air conditioning/DC version [edit]

Angus Young and Bon Scott at the Ulster Hall in August 1979

"Baby, Please Don't Go" was a feature of Ac/DC's live shows since their outset.[37] Although they have expressed their interest and inspiration in early blues songs,[38] music writer Mick Wall identifies Them's adaptation of the song equally the likely source.[39] In November 1974, Angus Young, Malcolm Immature, and Bon Scott recorded information technology for their 1975 Australian debut album, High Voltage.[38] Tony Currenti is sometimes identified as the drummer for the song, although he suggests that it had been already recorded by Peter Clack.[forty] Wall notes that producer George Young played bass for most of the album,[39] although Rob Bailey claims that many of the album'southward tracks were recorded with him.[41]

Loftier Voltage and a unmarried with "Baby, Please Don't Go" were released simultaneously in Commonwealth of australia in Feb 1975.[41] [h] AllMusic critic Eduardo Rivadavia chosen the song "positively explosive".[42] Albert Productions issued it every bit the single'southward B-side. Still, the A-side "Beloved Vocal (Oh Jene)" was largely ignored and "Baby, Please Don't Become" began receiving airplay.[39] The single entered the chart at the stop of March 1975[43] and peaked at number x in April.[44] As well on March 23, 1975, ane month afterwards drummer Phil Rudd and bassist Mark Evans joined Air-conditioning/DC, the group performed the song for the beginning time (this performance would also be repeated on Apr vi and 27, which is why there is often conflicting dates for this performance) on the Australian music program Inaugural.[45] [46] For their appearance, "Angus wore his trade marker schoolboy uniform while Scott took the stage wearing a wig of blonde braids, a wearing apparel, make-up, and earrings", according to writer Heather Miller.[45] Joe Bonomo describes Scott as "a demented Pippi Longstocking", and Perkins notes his "tattoos and a disturbingly brusque skirt."[38] Evans describes the reaction:

As soon as his vocals are almost to begin he comes out from behind the drums dressed as a schoolgirl. And information technology was like a bomb went off in the joint; it was pandemonium, everybody broke out in laughter. [Scott] had a wonderful sense of sense of humour.[45]

Scott mugs for the camera and, during the guitar solo/vocal improvization section, he lights a cigarette every bit he duels with Angus with a green mallet.[46] Rudd laughs throughout the performance.[46] Although "Baby, Delight Don't Become" was a popular part of Air-conditioning/DC'southward performances (often as the closing number), the song was not released internationally until their 1984 compilation EP '74 Jailbreak.[38] The video from the Inaugural bear witness is included on 2005's Family Jewels DVD compilation.

Aerosmith version [edit]

Aerosmith recorded "Baby, Please Don't Go" for their blues cover album, Honkin' on Bobo, which was released on March xxx, 2004.[47] The album was produced by Jack Douglas, who had worked on the group'southward earlier albums, and reflects a return to their difficult stone roots.[47] Billboard magazine describes the vocal as "the kind of directly-ahead, difficult-driving track that ever typified the ring's [1970s] records".[48] Edna Gundersen of Us Today called their version a "terrific revival."[49] Information technology was the commencement single to be released from the album and reached number seven on the Mainstream Rock Tracks chart.[50] A music video, directed by Mark Haefeli, was produced to promote the single.[51] Subsequently, the vocal has go a staple of the band's concert repertoire.[52] [53]

Recognition and legacy [edit]

"Babe, Please Don't Go" is recognized as a blues standard, including by French blues historian Gérard Herzhaft [fr], who described it as "one of the most played, arranged, and rearranged pieces in blues history".[1] The Rock and Roll Hall of Fame included Big Joe Williams' rendition in list of "500 Songs That Shaped Rock and Ringlet".[54] In 1992, Williams' song was inducted into the Dejection Foundation Hall of Fame in the "Classics of Blues Recordings" category.[3] Writing for the Foundation, Jim O'Neal noted that, in improver to various dejection recordings, "the song was revived in revved-upwards mode by rock bands in the '60s such equally Them, the Amboy Dukes, and X Years After".[3]

In 1967, the Amboy Dukes recorded the song for their self-titled debut album. An anthology review mentions Them's version, but adds that the Amboy Dukes' "Ted Nugent and the boys totally twist it to their point-of-view, even tossing a complete Jimi Hendrix [guitar line from "3rd Rock from the Sun"] nick into the mix."[55] Released equally a unmarried, it reached number 106 on Billboard 's extended "Bubbling Under the Hot 100" chart.[56] In 1969, Ten Years After included some lyrics from "Babe, Please Don't Go" during their performance of "I'g Going Home" at the Woodstock festival in Bethel, New York.[57] Alvin Lee's 10-minute guitar conditioning was a highlight of the event's 1970 documentary picture,[58] which "would cement their reputation for decades to come".[59]

Notes [edit]

Footnotes

  1. ^ An earlier "I'm Alabama Bound", with its own recording history, was published past Robert Hoffman in 1909.
  2. ^ The canvas music includes a 1944 copyright appointment, indicating a later version of the song[seven] (Williams' 1935 recording is in the key of B).
  3. ^ Music historian Larry Birbaum suggested that the Orioles' 1951 version inspired James Brown'southward commencement hitting "Please, Please, Please" (1956).[five]
  4. ^ Muddy Waters' original Chess single lists the songwriters as "Strutt, Alexander", although reissues credit "McKinley Morganfield" (his legal proper name). The song is registered every bit "Turn the Lamps [sic] Downward Low" with Joseph Lee Williams as the songwriter. ISWC T-070.278.618-2.
  5. ^ John Lee Hooker was listed as "Texas Slim" on the single "Don't Go Baby" (Rex 4334).
  6. ^ Janovitz claims that Henderson's bass line "was subsequently lifted by Golden Earring for 'Radar Love'".[xviii]
  7. ^ Beginning about 1:22 in Them's recording, bassy-sounding riffs announced.[25]
  8. ^ The Albert Productions AC/DC single misidentified the songwriter as Big Nib Broonzy.[41]

Citations

  1. ^ a b c d eastward f g h Herzhaft 1992, p. 437.
  2. ^ a b c d Garon 2004, p. 39.
  3. ^ a b c d e f chiliad h O'Neal, Jim (1992). "1992 Hall of Fame Inductees: "Infant Please Don't Go" – Big Joe Williams (Bluebird 1935)". The Blues Foundation . Retrieved April 26, 2015.
  4. ^ Dahl 1984, p. 110.
  5. ^ a b Birnbaum 2012, p. 302.
  6. ^ a b Hal Leonard 1995, pp. 17–19.
  7. ^ Hal Leonard 1995, p. 17.
  8. ^ Gioia 2008, p. 130.
  9. ^ Herzhaft 1992, p. 381.
  10. ^ Demetre 1994, p. 23.
  11. ^ Demetre 1994, p. 29.
  12. ^ Whitburn 1988, pp. 444–445.
  13. ^ Escott 2002, p. 54.
  14. ^ a b Garon 2004, p. 40.
  15. ^ Greenwald, Matthew. "Mose Allison: Baby Please Don't Go, Composed by Big Joe Williams". AllMusic . Retrieved September 28, 2019.
  16. ^ Palmer 1989, p. 28.
  17. ^ Gordon 2002, p. 266.
  18. ^ a b c Janovitz, Bill. "Large Joe Williams: 'Baby Please Don't Become' – Review". AllMusic . Retrieved July 2, 2018.
  19. ^ a b Murray 2002, pp. 212, 302.
  20. ^ a b Thompson 2008, p. 303.
  21. ^ Strong 2002, eBook.
  22. ^ Case 2007, p. 35.
  23. ^ a b Rogan 2006, pp. 101, 111.
  24. ^ Marcus 2010, eBook.
  25. ^ Them (1964). Babe, Please Don't Go (Song recording). London: Decca Records. Issue occurs at ane:22. F.12018.
  26. ^ Clayson 2006, p. 61.
  27. ^ a b "Them – Singles". Official Charts . Retrieved April 26, 2015.
  28. ^ Billboard 1965a, p. 39.
  29. ^ Billboard 1965b, p. 24.
  30. ^ Billboard 1965c, p. 26.
  31. ^ Beat 1965a, p. 4.
  32. ^ Beat 1965b, p. iv.
  33. ^ Beat 1965c, p. 3.
  34. ^ CashBox 1965, p. 18.
  35. ^ "Them: 'Babe Please Don't Go' – Appears On". AllMusic . Retrieved September 28, 2019.
  36. ^ Viglione, Joe. "John Lee Hooker: Come up and Run across About Me – Review". AllMusic . Retrieved September 28, 2019.
  37. ^ Walker 2011, p. 135.
  38. ^ a b c d Perkins 2011, eBook.
  39. ^ a b c Wall 2013, eBook.
  40. ^ Fink 2014, p. 83.
  41. ^ a b c Walker 2011, p. 139.
  42. ^ Rivadavia, Eduardo. "Ac/DC: Loftier Voltage (Australia) – Review". AllMusic . Retrieved April 26, 2015.
  43. ^ Walker 2011, p. 145.
  44. ^ Walker 2011, p. 148.
  45. ^ a b c Miller 2009, eBook.
  46. ^ a b c Bonomo 2010, eBook.
  47. ^ a b Erlewine, Stephen Thomas. "Aerosmith: Honkin' on Bobo – Review". AllMusic . Retrieved April 26, 2015.
  48. ^ Billboard 2004, pp. 13, 15.
  49. ^ Gundersen, Edna (March 29, 2004). "Clapton, Aerosmith dabble in the dejection". U.s.a. Today. Gannett Company. Retrieved July 1, 2015.
  50. ^ "Aerosmith: Chart History – Mainstream Rock Songs". Billboard.com . Retrieved September 28, 2019.
  51. ^ "Aerosmith: 'Baby Please Don't Go' Video Posted Online". Blabbermouth.cyberspace. May twenty, 2004. Retrieved July 1, 2015.
  52. ^ Hauk, Hunter (Baronial half-dozen, 2010). "Concert review: Aerosmith at Superpages.com Eye". The Dallas Forenoon News. A.H. Belo. Retrieved July 1, 2015.
  53. ^ Stingley, Mick (October 14, 2010). "Aerosmith/The J. Geils Ring – Concert Review". The Hollywood Reporter. Prometheus Global Media. Retrieved July 1, 2015.
  54. ^ "500 Songs that Shaped Rock and Curl". Rock and Roll Hall of Fame. 1995. Archived from the original on April 22, 2007. Retrieved April 26, 2015.
  55. ^ Viglione, Joe. "The Amboy Dukes – Review". AllMusic . Retrieved January 30, 2022.
  56. ^ Whitburn 2008, p. 17.
  57. ^ Moore 2004, p. 81.
  58. ^ Jurek, Thom. "Woodstock – Review". AllMusic . Retrieved January thirty, 2022.
  59. ^ Deming, Marker. "Ten Years After – Biography". AllMusic . Retrieved January 30, 2022.

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  • "KRLA Tunedex". KRLA Crush. April 21, 1965.
  • "KRLA Tunedex". KRLA Beat. April 28, 1965.
  • "Unmarried Reviews – Chart Specials". Billboard. Vol. 77, no. five. January 30, 1965a. ISSN 0006-2510.
  • "Bubbling Under the Hot 100". Billboard. Vol. 77, no. 12. March 20, 1965b. ISSN 0006-2510.
  • "Bubbles Under the Hot 100". Billboard. Vol. 77, no. 17. April 24, 1965c. ISSN 0006-2510.
  • "'Honk' if You Love Old Aerosmith". Billboard. Vol. 116, no. 14. April 3, 2004. ISSN 0006-2510.
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Source: https://en.wikipedia.org/wiki/Baby,_Please_Don%27t_Go

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